The iPhone 16 Pro’s Camera: A Step Forward, But Room for Improvement

The iPhone 16 Pro is undeniably a powerhouse when it comes to mobile photography. Its ability to capture stunning images in any condition, coupled with its impressive 4K slow-motion mode, makes it a standout choice for both amateur and professional photographers. The device holds its own against top competitors like the Galaxy S24 Ultra, Pixel 9 Pro, and Xiaomi 14 Ultra, proving Apple’s commitment to delivering high-quality camera capabilities. However, as with any technology, there’s always room for improvement. As an experienced phone reviewer and professional photographer, I’ve identified key areas where the iPhone 17 could take a significant leap forward, transforming it into an all-around photography powerhouse.

A Larger Image Sensor for Better Light Capture

One of the most critical upgrades I’d like to see in the iPhone 17 is a larger image sensor. The iPhone 16 Pro’s 1/1.28-inch sensor is already impressive, slightly edging out the Samsung Galaxy S24 Ultra’s 1/1.33-inch sensor. However, a larger sensor would allow for even better light capture and improved dynamic range, which are essential for professional-grade photography. Full-frame sensors, found in high-end DSLR cameras like the Hasselblad 907X, set the gold standard for image quality, and while expecting a full-frame sensor in a smartphone might be a stretch, Apple could take inspiration from Xiaomi’s 14 Ultra, which boasts a 1-inch type sensor—one of the largest in any smartphone. A sensor of this size would enable the iPhone to deliver even more pristine photos, especially in challenging lighting conditions.

A Variable Aperture for Versatility

Another feature that would elevate the iPhone’s camera is a variable aperture, similar to the one found in the Xiaomi 14 Ultra. The Ultra’s main camera can switch between f/1.6 and f/4, offering unparalleled versatility. A wider aperture like f/1.6 allows more light in, making it ideal for low-light photography and creating authentic bokeh effects. On the other hand, a narrower aperture like f/4 can produce beautiful starbursts around light sources, adding a professional touch to nighttime shots. Disappointingly, Xiaomi removed this feature from its newer 15 Ultra, so it’s unclear if Apple will embrace this technology. If it does, it could set a new standard for smartphone photography.

More Photographic Styles for Creative Freedom

Apple’s Photographic Styles, introduced in the iPhone 16 range, are a great starting point for creative photography. These styles, such as Amber and Gold, add warmth and character to images, while options like Quiet evoke a vintage, film-like aesthetic. However, the current offerings are limited, and the interface can feel sluggish when navigating through the options. Expanding this feature to include more diverse color toning options—or even mimicking classic film stocks from brands like Kodak or Fujifilm—would unlock even more creative possibilities for photographers. While third-party apps like VSCO and Snapseed offer similar functionality, having native support within Apple’s camera app would streamline the process and allow users to apply styles directly during shooting.

Seamless ProRaw Integration with Photographic Styles

While Apple’s ProRaw format is a game-changer for photographers, offering the flexibility of raw files alongside computational photography enhancements, its current implementation falls short in one key area: compatibility with Photographic Styles. Users can only apply these styles when shooting in HEIF format, not in ProRaw. This limitation forces photographers to choose between creative control and the added flexibility of raw files. Previously, Apple allowed the use of filters in ProRaw, enabling shots like high-contrast black-and-white images that could later be fine-tuned. Restoring this functionality—or better yet, expanding it to include the full range of Photographic Styles—would make the iPhone an even more powerful tool for professionals.

LUTs for Enhancing ProRes Video

Apple’s ProRes video format, introduced in the iPhone 15 Pro, is a boon for filmmakers and content creators, delivering low-contrast, high-quality footage ideal for post-production. However, the lack of built-in LUTs (look-up tables) for color grading feels like a missed opportunity. While users can import and apply LUTs using external software like DaVinci Resolve, having native support within the iPhone’s Photos app would make the process more accessible and convenient. Imagine being able to transform drab, ungraded footage into vibrant, professional-looking content directly on your device before sharing it on social media or with family. This feature would make the iPhone an even more indispensable tool for creators on the go.

The Future of iPhone Photography: Ambitious but Achievable

If Apple implements these improvements—excluding, of course, thePipe dream of a full-frame sensor—the iPhone 17 could very well become the ultimate camera phone. A larger image sensor, variable aperture, expanded Photographic Styles, seamless ProRaw integration, and native LUT support for ProRes video would collectively elevate the device to new heights, satisfying both casual shooters and professionals. While some of these changes may seem ambitious, they’re within the realm of possibility given Apple’s track record of innovation. Until then, the iPhone 16 Pro remains a stellar choice for photography, but the potential for its successor is nothing short of exciting.