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Shonda Rhimes, Ben Folds resign from Kennedy Center roles after Trump takeover
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Shonda Rhimes and Ben Folds Step Down Amidst Leadership Shift at the Kennedy Center
The world of arts and culture in Washington, D.C., has been rocked by a series of high-profile resignations following a major leadership shake-up at the John F. Kennedy Center for the Performing Arts. Shonda Rhimes, the renowned creator of Grey’s Anatomy and CEO of Shondaland, and singer-songwriter Ben Folds are among the first to leave their positions after President Trump assumed the role of Chairman of the Board and began making sweeping changes. Rhimes, who served as Treasurer of the Board, announced her resignation on Instagram shortly after Trump’s election as the head of the iconic institution.Similarly, Ben Folds, the frontman of Ben Folds Five, revealed that he would be stepping down as artistic adviser to the National Symphony Orchestra, a position he had held since 2017. Both resignations came as a response to what they described as significant and concerning developments at the Kennedy Center under Trump’s leadership.
A Wave of Resignations: Artists and Leaders Exit in Protest
The resignations of Shonda Rhimes and Ben Folds have sparked a wider exodus of prominent figures from the Kennedy Center. Renée Fleming, a Grammy Award-winning opera legend, also announced her decision to resign from her role as artistic advisor at large. Fleming, known for her iconic performances, expressed her deep concern over the direction the institution is taking under Trump’s leadership. “I’ve treasured the bi-partisan support for this institution as a beacon of America at our best,” she said in a statement. Fleming emphasized her hope that the Kennedy Center would continue to thrive and serve its diverse audience, but made it clear that she could no longer remain in her position given the current circumstances.
President Trump’s Vision for the Kennedy Center: A Shift in Direction
President Trump’s decision to take over as Chairman of the Kennedy Center’s Board of Trustees has been met with significant backlash from the arts community. Trump, who has long been critical of what he calls “woke” culture, has made it clear that he intends to reshape the institution in line with his vision of a “Golden Age in Arts and Culture.” In a post on his social media platform, Truth Social, Trump declared that he would be “clearing out” the existing Board of Trustees, which he claimed did not share his vision for the center’s future. He also announced plans to appoint a new board, with himself at the helm. Trump’s tenure as chairman marks a significant shift in the Kennedy Center’s leadership, as he has been vocal about his disdain for certain types of performances, particularly drag shows, which he claims are inappropriate for children.
The Fallout: Trump’s Administration Takes Charge
The changes at the Kennedy Center are not limited to the resignation of high-profile figures like Shonda Rhimes and Ben Folds. Trump’s administration has officially removed 18 board members, including David M. Rubenstein, a close ally of former President Joe Biden and the previous chairman of the board. In their place, Trump has appointed 14 new members, many of whom are close associates and political allies. Among the new appointees are Trump’s Chief of Staff, Susie Wiles; Usha Vance, the wife of Vice President JD Vance; and Dan Scavino, a former aide to the president. Trump was subsequently elected as the chairman of the newly formed board, solidifying his control over the institution. Additionally, Deborah F. Rutter, who had served as the Kennedy Center’s president since 2014, was sacked by Trump’s administration. Her departure was unexpected, as she had previously announced plans to step down at the end of 2025. Richard Grenell, a former ambassador to Germany and one of Trump’s most loyal supporters, has been appointed as the interim president of the institution. Grenell, who is openly gay, made history in 2020 when he became the first openly gay man to serve in a cabinet-level position during Trump’s presidency.
The Response from the Arts Community: Concern and Outrage
The resignations of Shonda Rhimes, Ben Folds, and Renée Fleming have sent shockwaves through the arts community, with many expressing concern about the future of the Kennedy Center under Trump’s leadership. Ben Folds, in his resignation statement, expressed his admiration for the musicians of the National Symphony Orchestra, calling them “just the best.” However, he made it clear that he could no longer continue in his role, stating simply, “Not for me.” His words resonate with many in the arts community who fear that Trump’s vision for the Kennedy Center will stifle creativity and censor artistic expression. Trump has been particularly critical of drag shows hosted by the center, which he claims are “targeting” children. He has vowed to ensure that the institution is run “properly” and has dismissed some of the previous programming as “terrible” and “a disgrace.” His comments have been met with outrage from artists and performers who see them as an attack on the very essence of the arts.
The Road Ahead: What’s Next for the Kennedy Center?
As the dust settles on the leadership shake-up at the Kennedy Center, the question on everyone’s mind is: what’s next for this beloved institution? The resignations of Shonda Rhimes, Ben Folds, and Renée Fleming are a clear indication that the arts community is deeply concerned about the direction in which Trump is taking the center. With Trump at the helm, the Kennedy Center is likely to undergo significant changes, both in terms of its leadership and its programming. While Trump has promised to restore the center to its former glory, many fear that his vision will come at the cost of artistic freedom and diversity. The appointment of Richard Grenell as interim president and the installation of a new board dominated by Trump loyalists have only added to the sense of unease. As the Kennedy Center navigates this uncertain future, one thing is clear: the arts community will be watching closely to see how these changes impact the institution and the cultural landscape of the nation’s capital.
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